WELCOME!

I'm Walt. And I'm Marie Elena.
This is the collaboration of two kindred spirits; partners in rhyme;
"the best friends we've never met."
All "Across the Lake. Eerily."

Showing posts with label Poetic Asides '11. Show all posts
Showing posts with label Poetic Asides '11. Show all posts

Saturday, July 9, 2011

HAIKU TOO

Two shadows at play.
collaborative effort,
success through kinship.


Walt

Wednesday, June 8, 2011

FINNEGAN, BEGIN AGAIN?

There's that song.
All along I've held this animous,
an anonymous dislike for its root
that burrows into every furrow
of gray matter. Mad as a hatter
and twice as worn. I was not born
to listen incessantly to this melody.
And just when it appears to disappear,
I hear it. There's that song.

Thursday, May 5, 2011

OCZEPINY

A moment in time.
Tuxedo clad and my dad
gives up his "date" for the next dance.
Me, adorned with a monstrosity on my head.
A hat bearing fruit: apples, grapes,
a banana and two lemons astride it.
Very Suggestive, I couldn't hide it if I wanted.
And my mother, moist from tears
that had replaced her make-up hours ago.
The music plays sad and sweet,
and my day is complete.
Mom puts her head on my shoulder.
A moment in time. Perfect.


** Oczepiny is a ceremony performed at Polish weddings. It signifies that the bride ceases to be a bride; she is now a wife.


Walt

Saturday, April 30, 2011

TWO APRILS AGO

Two Aprils ago, and soon to be three, she established herself as a poem devotee. So timid at first, and so easily veiled; just pleased to rub elbows with those who are hailed as poets … TRUE poets, whose pens fairly crooned. She smiled through April, yet never attuned, and just shy of ease, was she.

Two Aprils ago, with three closing in, she opened a door to see what lies therein. She’s never looked back; now relaxed and at home … still pleased to rub elbows, and eager to poem. For once seeds were planted, and buds were in bloom, enamored was she with poetic perfume.

Two Aprils ago, now closer to three, goodbyes were not needed … nor will they now be.

Marie Elena

Tuesday, April 26, 2011

HAIKU (For Uncle Jim)

You were a leader
Who never let followers
Feel less than partners

Marie Elena

Note:  Today's Writer's Digest Poetic Asides poetry prompt challenged us to write about leaders, followers, or both.  How can I hear the word "leader" without thinking of Uncle Jim?

FATHER'S HAND

"A street is no place to play"
you would say as you clasped her
hand, gentle in its unsurety.
Held in the purity of her heart,
she sees you as a leader.

"Look both ways" you would say,
"to be sure that it's okay"
And she stand toes-to-curb erect,
able to detect the proper moment
that she will follow her leader.

"Hold my hand" you assure her,
your tender flower with the enthusiasm
of a sponge; waiting to sop up all
that you pour before her. She looks up
and smiles. "You lead, Daddy."

Lessons learned at her father's hand,
the kind of man she wishes to grace her life,
when she is ready to become a wife.
Standing at the end of this magnificent aisle,
she'll take your hand. Walking together once again.

All in the name of her father's hand.



Walt

Monday, April 25, 2011

ROCK AND ROLL


Sandstone giants creep downhill
Imperceptibly at will
Littering the valley floor,
Weighing half-a-ton or more.
Monsters float with silent grace,
Falling from their lofty place.

Would not wish to be on hand
When goliaths finally land.

Marie Elena
Photo by Marie Elena Good

Note:  This is a true phenomenon in Conkle’s Hollow Nature Preserve of the Hocking Hills of Ohio.  Sandstone rocks, weighing in the tons, detach from the bedrock wall of 200-feet, and slide absolutely imperceptibly downhill to the floor of the gorge.  The rock in the photo above is one such “Slump block.”

Friday, April 22, 2011

THE BLOODY HANDS OF ISCARIOT

Forty pieces of silver has it's allure.
For sure, it could have bought enough
to feed a few and briefly ease their suffering.
But what you were offering was worth so much more.
I see that now. Too late, too late.
You always talked about your Father's will,
but nobody asked me what I wanted.
I wanted to stay and finish my meal.
I wanted to die in the oldness of my age.
I wanted you to be my Brother throughout.
And what I've found out won't change things.
Instead, we fought. I abandoned you.
I betrayed you. Sold you for some pocket change.
And in the end, you were beaten and broken.
Without words spoken, our eyes met and
every opportunity for a second chance
died, nailed to that tree. But I did not see.
Not then; not now. Blood money leaves
a nasty stain on beloved hearts.
I would have changed if I could,
but my fate was predicated,
and vermin like me are easily convinced.
In the end, we're all left hanging.
Does forgiveness come at the end of one's rope?



Walt

Wednesday, April 20, 2011

EXPRESSION

I write of love for my family, friends, and home. Yet, ink halts the flow of emotion to page when I attempt to write of my love for you. The deep sentiment I feel translates tritely to the page, while my soul yearns to write lyrics for the love song my heart endlessly hums. Listen, then, to the silent lyrics penned in tender eyes and gentle touch, for it is there that my heart’s song is rendered.


Happy 20th Anniversary to Keith, the love of my life. 

Marie Elena

Sunday, April 17, 2011

THE BIGGEST PICTURE


From here I can see it all,
why can't they?
It was they that brought me here
to hang and suffer,
to act as their buffer
from here to the here after.
From here I can see it all.

From here I can see my friends cower
they lower their eyes
and despise all who do me harm,
something warm flows into mine.
Blood as a testament,
an unrelenting reminder from my Father,
I search to find her. My Mother,

from here I can see her,
sad and heart-broken and salvation
is one small token in response.
My brother John beside her,
comforting and consoling,
extolling praises on Him who had sent me.
She is his now. Here is your Mother.

From here I can see the soldiers and rabble
gambling over my cloak and robe,
no compassion is theirs, but they are still heirs
to this sacrifice in which they are complicit.
They proffer their rancid vinegar
to quench my thirst. I offer my blood
the flowing water of eternal love.

From here I can see the elders and supposed
people of wisdom and scripture
witnesses to my demise. Forgiveness I offer
for their ignorance. Hypocrites all.
Their stature falls with every second
I am aloft. Their stance does not soften
but they will be haunted often by this.

From here I can see the criminals who
suffer the same fate, it is too late for them.
One does not feel remorse and his course is clear.
The other will share a paradise straight from here.
I will assure you he will. And still
my blood will cleanse him as well.
It is hard to tell who deserved this fate more.

From here I can see the skies darken.
I harken to my Father, "Eli, Eli"
but his will I do. Thunder rumbles and
the rain tumbles from these black cloud.
I cry out loud as I am near death.
They see me as a man hanging from a tree,
but from here, I can see the big picture.


Walt

Friday, April 15, 2011

NOT FADE AWAY

Cool it with the Charles noise,
I'm just one of Ella and Larry's three boys.
Call me Buddy, everyone does,
I don't know why; they tell me "Just because"

     I found my voice by the age of five,
     recorded songs from before I was alive.
     Music lived in me; it filled me, obsessed me,
     I'd even say that "demon" possessed me.

Along the way they screwed up my name,
yet in their mistake, I found my fame.
Finding my piece of pie in the American Dream,
when I gulped and hiccupped onto the scene.

     Rock and Roll was in its early stage,
     but I knew it would be the rage,
     I assembled a band, that was the ticket,
     and with me to lead, we were the Crickets.

Oh Boy, what a time! A thrill of my life,
It's so easy to get into this life.
The drums were the heartbeat, and I knew what to do,
If you love Rock and Roll, I'm gonna love you too.

     It's great to rave on with these words of love,
     Below it was blue days, black nights up above.
     But, something touched this brown eyed handsome man.
     If you saw her smile, maybe baby, you'd understand.

I found true love ways, in Maria Elena's smile,
she gave me my heart, it gave me my style.
Love at first sight, I asked "think it over",
she said "Yes". I was rolling in clover.

     I went on the road, she stayed home expecting,
     her sad Spanish eyes were surely reflecting
     the raining in her heart, she appeared to be coping,
     while she sat by the phone crying, waiting, hoping.

Clearlake was rocking, the music insane,
a late winter storm as we boarded the plane.
"I hope your plane crashes", Waylon Jennings would say,
In my bright Holly smile I said, "That'll be the day!"

     "And the three men I admire the most,
     the Father, Son and the Holy Ghost,
     well, they caught the last train for the coast,
     the day the music died." ~ Don McLean (American Pie)


Walt

Tuesday, April 5, 2011

INGLORIOUS BASTARD

I know you; we've met
in the darkened shadows,
where you cower, and reign

your power and terror upon
the ones I love; or have loved.
A black fisted glove clenched in victory.

A thief in the night,
strikes as horribly in mid-afternoon,
or April Sunday mornings, without warning;

a plague most verulent. Never repentant,
nor indiscriminant, an ignorant disease
bringing to their knees, all hopes and futures planned.

Your wish and command stands defiant,
and reliant on the grief and sorrow of those
that will someday follow, by your "hand" or

some other insidious grip. No radiance
or chemical drip can clip your wings for long;
your grasp is strong. Buying time, but never enough.

Many things left to say, but tough!
As lives in the balance dangle to mangle
and devastate; a wicked fate. A silent coma,

from this carcinoma. The victor.
Life's restrictor. Never paints a flattering picture.
Inglorious bastard.


Walt

Monday, April 4, 2011

LIGHTHOUSE KEEPER



Isolated,
an island out-
post hosting a
beacon bright;
scanning the night,
offering sight 
to wayward
wayfarers. 
He stands on 
watch, keeping 
the lamp sweep-
ing the water.Buoys 
bob in the darkness,
harkening the bells 
with the swell of each 
wave. Deep bellow-
ing horns cut the evening
fog, leaving a long echo 
from harbor to shore. A 
solitary ex-sailor never fails 
to offer security; a sentinel 
sure and silent. Alone in the night, a beacon bright.
 
 
Walt

Sunday, April 3, 2011

INTERVIEW WITH A POET LAUREATE


Robert Lee Brewer of The Writer's Digest Poetic Asides interviewed 2010 Poet Laureate, Walt Wojtanik.  I couldn't be more proud! Way to go, Walt! Click here to read the entire interview.

Marie Elena

Saturday, April 2, 2011

POSTCARD TO IGOLOMIA, 1905

Father,

I have come to America.
We are huddled here, masses
of peoples from many places.
Polish, German, Irish, Italian.
Swedish, Nordic, Austrian, Czech...
Slowly, we are processed to be free.
Men, women and children; both strong and infirm.
Some are detained; but I am lucky.
The lady of liberty says,
"Welcome to America, Jozef".
I am free.

Your son,
Jozef


Walt

Wednesday, March 23, 2011

A SPARK OF MEMORY


She lays confused, lonely, cold
in a world where warmth was never
her strongest point. But she waits

unknowingly for the synapse to fire
a brief link to past thoughts;
sparks of memory to catch and ignite

the life she has lived. It gives
her as sense of self that lasts
sometimes for the blink of her eye.

She cries at the futility.
Tears, the utility of every broken heart
start to stream, teeming within red and tired eyes,

a life as seen through her vision
sits in contrast to her existence.
Days numbered and passing unnoticed.

She sees her young neice as an old friend
from a neighborhood that had died years ago.
A photo of the girl's father, her brother,

sparks a smile with the recognition.
Then her condition takes control and
her stroll down memory lane ends.

Each day starts and ends in darkness.
Every moment in between holds
a murkiness of its own. Aunt Jane lingers.

Fingers curled and fisted, clutching
prayer beads, or maybe the last moments of life.
Her memory fades and she does not remember.


Prelude to:

"She Does Not Remember" by Anna Swirszczynska


Walt

Monday, March 21, 2011

NEAR THE ERIE TRACK (The House With None of Us In It)


I do not venture there anymore.
The old homestead near the Erie track
stands in an unrecognizable state.
The tales I’ve been told of our old house are tragic.

The house is empty, a haunted house bears more life.
The sharp contrast cuts like a serrated knife,
shredded, tattered edges and shards of memory
laid to waste and leaving a bitter taste in our mouths.

Generations stacked three high would cry
a collective tear if they went near the Erie track.
In fact, many more would shed when the fact enters their heads
that there’s nobody in the house worth a mention.

I cringe with a strain; a tension winding my spring
until I release and cease to be rational.
A right and traditional home; a suitable sanctuary,
it is scary how quickly it has fallen. It is hard

to imagine a manicured yard and bountiful garden left barren,
I wouldn’t care if the years of my making weren’t taking
their toll on my memory. There is nary a day that goes by
that I do not try to recall her as our domain. All that’s left is pain.

Indeed, she offered us all that a house should, it was good
that warmth and shelter were felt in her embrace.
We played no part in her disgrace; this place is no longer
ours to concern over. We’ve grown stronger in our absence.

I do not venture there anymore. That place,
that house with none of us in it. I do not look back.
 
 
Response to:

"The House With Nobody In It" by Joyce Kilmer


Walt

Saturday, March 19, 2011

THE DEVIL RESIDES

Here in the details, a demon lurks.
Recollections and distractions;
interactions of our lives.
I wear you like your comfortable coat,
which I had spirited away from the home
in which we lived; now abandoned.
Its warmth still soothes an aching soul,
and no one knows. No one knows.
Your hat, a cap really, shields my eyes,
the brilliance of daylight you cannot
see, belongs only to me. Your vision
lives in my vision; your bloodline secure.
It was no disgrace that you had succumbed
to the most vile of venom; your riddled body
ravaged and recoiled, spoiled for your function.
Your anger and denial fought weakly,
and your resolve held gently to the slender
thread, instead of giving up the ghost
to live in that shroud ever-so-briefly.
Then, your voice was silenced, a wretched
cacophony that shouted through your vacant stare.
And I was there, suspending my own life to share
every last second of your diminished existence.
In the distance you heard her calling,
and I was stalling for one last word of love between
estranged father and son. One last word; maybe “sorry”?
It haunts me, your memory and all that had burned
itself into my soul. There is no mending that could
placate this pain. Again I search through something
of yours to try to repair you to prominence. But,
the predominance of your paternity will remain
for an eternity, ever buried deeply in my memories.


In response to:


“Try to Remember Some Details” by Yehuda Amichai


Walt

Friday, March 11, 2011

ONE GOOD TURN

The milk of human kindness pours
freely; clearly. Nearly everyone
aspires to a higher calling,
but ends up falling flat on their
best intentions. Conventional wisdom
is a conscienable nudge to action.
But, only a fraction of the folk
respond. It is beyond comprehension,
not to mention beyond reason.
Those who want stand in legion
pleading, needing to just sustain;
a respite from the torrential rain
life pours down. Sounds simple,
but pride becomes the pimple
that blemishes the clear complexion
of a complex humanity. Such insanity
is treated in a fashion, a mix
of compassion and ignorance. And all
that is required is an effort,
a sort of determination to improve
the station of those who had lost their way.
Do it because you want to; do it
because you can. Take a stand;
you'll be better for it. Don't ignore it,
we're all deserving of one good turn.


Walt

Thursday, March 10, 2011

TIDES

Rising and falling,
sea birds calling
a trill, shrill
and resounding.
Surrounding the shore,
seaweed tossed and sands
of lost childhood, decay.
On a good day, you can see
clear across to Canada,
a cyclical sonata awash
in rushes and retreats.
Beneath the feet
of beachcombers, the warmth
of a million suns baking,
taking shells and driftwood;
a good haul for an early spring.
Still, the gulls sing
a redundant song, strong and shreiking.
Another wave rises, then beats
a hasty withdrawal. Through it all
you breathe the freshness abounding,
Rising and falling, your chest
duplicates the lunar lambada
of the Great Lake. Waters rake
the moistened sand on its departure.
Sunsets and crashes leaving colorful dashes
across the glinted surf. Tides return
to where they had come as the night descends.
Another day ends in the swell of tides.


Walt